and because i like to ramble while producing sentences that fall within the province of pretty prosaic english language, these odd essay things i put on here, which aren't poetry but are sometimes closely related to poetics (and sometimes are related to poetics just by proximity), wouldn't work at all as a series of kora in hell-style fragmentations (not in the least because i'm no william carlos williams). unlike william carlos williams, i don't pretend that i'm doing anything new; i'm not particularly interested in newness. newness requires direction, an impersonal sense of trajectory--i'm not interested in anything impersonal.
transparency would be one frame to put around that which the blogging format has provided me. i exist in constellation on this blog (william carlos williams would approve!), and no grass grows on the lines between word and word. that's a poetic way of saying that all my inconsistencies are wildly available in this format, and i like that. i want it recorded that there was a day on which i knew myself in love, and another day on which i passed it off as metaphor or worse. nothing is permanent, nothing is un-adjustable; everything is just available. which sounds like a somewhat dirtier movie than the one that frodo starred in, but i didn't see everything is illuminated, nor read the book (hey, good as it looked, it was published after 1950), so i don't know.
i like growing up. it scares me, but i like it. for instance, black sabbath is a descendant of led zepplin. i could have read that on the internet, but i prefer to find it out myself. and ann peebles is amazing.
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